Marechese Tomb, 1881
Restoration work began Dec. 12, 2016 and should be complete by the end of March, 2017.
The Marchese tomb by Domenico Carli, 1881Restoration will take two to three months.
The Marchese memorial, Staglieno Cemetery, Genoa, Italy.We will restore all four statues in this crossing area, bringing back the original beauty of this section of Staglieno Cemetery.
Portrait relief on the pedestal of the Marchese sculpture.Portrait of Carlo Marchese, on the pedestal of this monument
Detail of the Marchese statue.This is the work of Domenico Carli, a prolific and masterful sculptor who lived from 1828 to 1912.
Cleaning the Marchese sculptureArt Restorer Axel Nielsen washes the Marchese sculpture with distilled water, after using a poultice to soften the black crust and loosen the dirt.
Domenico Carli (1828-1912) blended the realism of late 19th century Italian sculpture with traditional classicism. Carli worked for many years as a student of and assistant to the great Genovese sculptor Santo Varni. Once he established his own studio, he produced numerous works at Staglieno and for churches in Genoa, along with two colossal sculptures for the cathedral in Panama, and works that went to Guatemala, Uruguay and Russia.
This is the tomb of Carlo Marchese fu Francesco and his wife, Fanny Merani. This sculpture is covered with an uneven dense layer of dirt and black crust, and is in a location of the galleries particularly subject to humidity and winter frost. Black crust is a phenomenon of the deterioration of marble, where the surface of the marble combines with dust and pollution, and breaks down forming a hard crumbly skin on the sculpture. Removal of this dirt and thin crust is essential to protect the sound marble underneath, and to stop further erosion.
Restoration will start with dusting of the entire sculpture, and if necessary consolidation of the most delicate or weakened areas. This will be followed by deeper cleaning either through use of cellulose poultices applied to the surface which draw out the dirt, or by laser cleaning. Inorganic solvents may also be used to dissolve the heaviest staining. Afterwards the surface will be consolidated with a very thin application of a paste of lime or marble dust, or with calcium or ethyl silicate. This protects the surface, bonding it together to preclude further weakening. This may be followed up with application of dilute microcrystalline wax. All work will be supervised by the art historians and restoration specialists of the Soprintendenza Archeologia Belle Arti e Paesaggio, the agency that protects all of Italys artistic treasures. We will carefully document every phase of the work.