Pantheon and Porticato Superiore

Standing in the middle of the cemetery, Santo Varni’s La Fede (The Religion) is 30′ tall (9m) and was carved in Carrara from three blocks of white marble. The model was a local young woman, Luigina Traverso.

The Oneto tomb by Giulio Monteverde, one of the most famous works at Staglieno. Copies were placed in cemeteries around the world.

In this monument by G.B. Villa, Raffaele Pienovi’s young widow Virginia lifts the covers to say one last goodbye to her late husband. An incredible work of sculpture, but the deteriorating walls and roof of the gallery threaten it’s longevity.

A woman in eternal repose, the flowing drapery of her clothing expresses tranquility and resignation.

Locked in mourning, these two sisters are exposed to the elements As a result, the surface of the marble is starting to wash away. The sculptor was Antonio Besesti.

An Ornatista was the carver who specialized in ornamental work, such as foliage and lace. Here you see the depth of their skill.

Sculptor Giuseppe Benetti lived almost 90 years, and produced more than 50 memorials at Staglieno.

Sculptor G.B. Villa produced many works blending classicism and naturalism, noted for expressing the deep emotional bond of the families for their deceased loved ones.

The angels represent two young cousins, Paolino and Luigino, mourning the death of their uncle. a professor of sacred music. This sculpture is unsigned, and the name of the uncle is not inscribed.

In this work by Luigi Brizzolara the family gathers around their beloved patriarch.